Carlos Blanco’s upbringing was divided between Zaragoza and Madrid. He later lived in numerous cities including Berlin, Paris, London, and New York. These places profoundly influenced him, drawing from both his everyday experiences (such as the London squatting movement or the nightlife in Berlin) and the artistic culture he immersed himself in during his stays. Artists like Mariano Yunta, Francis Picabia, Pablo Picasso, and George Condo have become key figures in understanding his work.
On the artistic front, Carlos Blanco develops a distinct style rooted in his curiosity about the deconstruction of the human figure and reality. He employs both abstraction and figuration, utilizing techniques as diverse as blurring, intersecting compositional lines, and textured painting depending on the message he aims to convey. Some elements, like the prominent use of English red commonly found in surrealism, have become characteristic of his work.
Carlos Blanco has exhibited in museums, galleries, and institutions across New York, Los Angeles, Miami, Hong Kong, Seoul, Paris, Barcelona, and Madrid. His works can be found in both public and private collections in New York, Japan, Singapore, Mexico, Los Angeles, Miami, Austria, Madrid, Bilbao, Mallorca, Santander, Australia, Libya, Paris, and London.
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PAST EXHIBITIONS
CHAOS, TRANSLATED INTO HARMONY
September 2025 - November 2025
Carlos Blanco turns painting into a space of introspective stillness, where abstraction becomes a poetic language. Fragmenting images almost to the point of dissolution, his work explores the boundary between the visible and the invisible, evoking a quiet tension that invites contemplation. Between mystery and clarity, his compositions become mirrors of interiority—delicate structures of thought that transform chaos into a deeply personal visual order.
Carlos Blanco Artero approaches painting as a space for introspection and rupture, where abstraction meets figuration in a language shaped by silence and complexity.
His compositions unfold like mirrored landscapes of the psyche—fragments of a visible world shifting toward the intimate. Influenced by imaginal traditions, his work suspends meaning to evoke what lies just beyond perception: the desire to see what cannot be fully seen.
Carlos Blanco Artero’s work invites the viewer into a state of perceptual tension, where abstraction and figuration dissolve into a playful, vitalist choreography of color and form.
Drawing from a wide range of influences —from Picabia and Bacon to Mondrian and Vieira da Silva— his painting is not a static image, but a dynamic field where rhythm, sensuality, and the unconscious converge. With a technique that merges lucidity and disruption, Blanco Artero constructs pictorial spaces that seem to pulse from within, offering not answers, but new ways of seeing.
ENEAS was a one-night collective exhibition curated by Saisho in collaboration with Eneaverso.
Held in Madrid, it brought together 21 contemporary artists and over 600 guests—including collectors, curators, and critics—in a multisensory journey through eight levels of artistic experimentation: from composition and material to light, texture, and technique. Inspired by the myth of Aeneas and structured around curatorial criteria rather than trends, ENEAS marked a new approach to experiencing and valuing contemporary art.