IÑAKI DOMINGO
ABOUT
(b. 1978, Madrid, Spain)
From an abstract approach, the work of Iñaki Domingo reflects on the mechanisms of visual perception and focuses on the relationship between the gaze and the representation of reality. He is a member of the studio Altura Projects, where he develops his artistic projects. In addition, he collaborates independently with public and private institutions, for which he develops curatorial, editorial, and teaching projects.
FEATURED ARTWORKS
Sin título (biselado v.4) | Iñaki Domingo
2022 | 118 x 178 cm | Mirror and adhesive
Pirámide especular vertical b/n | Iñaki Domingo
2018 | 48 x 30 cm | Mirror and adhesive
Sin título, de la serie Color Vaciado | Iñaki Domingo
2017 | 62 x 42 cm | Inkjet photographic print on conservation paper
Sin título, de la serie Color Vaciado 2.5 | Iñaki Domingo
2015 | 52 x 35 cm | Inkjet photographic print on conservation paper
Addition I | Iñaki Domingo
2024 | 155 x 111 cm | Pigment inks on conservation paper
Sin título, de la serie Zoom-In 3 | Iñaki Domingo
2021 | 66 x 49 cm | Pigment inks on conservation paper
INQUIRIES ABOUT THIS ARTIST
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PAST EXHIBITIONS
ADDITION
September 2024 - March 2025
In Addition, Iñaki Domingo challenges the conventions of photographic reproduction by intervening directly in the mechanical printing process, replacing inkjet precision with bodily gesture. Using a mouth diffuser and CMYK pigments, he transforms repetition into ritual, producing unique works that blur the line between photography and painting. Engaging with ideas of materiality, performativity, and image simulacra, Domingo explores the instability of authorship and authenticity in the digital age. His abstractions are not mere images, but traces of action—hybrids that meditate on the physicality of creation and the dissolution of the real into visual experience.
THE REALITY OF EXPERIENCE
September 2023 - March 2024
In The Reality of Experience, artists Iñaki Domingo and Jorge Isla explore the fragile, ever-shifting nature of images in the digital age. Through reflective surfaces, sculptural forms, and broken screens, they invite the viewer to engage with works that change depending on movement and perspective—highlighting the fleeting, personal, and political dimensions of seeing today.
